As the artistic season gets underway, Mudam is inaugurating three new exhibitions. From the performative and sound installation “A Comparative Dialogue Act” to the hypnotic cinematic worlds of the winner of the Baloise Art Prize 2024, via “Eleanor Antin, A Retrospective,” which challenges the conventions linked to artistic identity, the museum offers a journey that is as immersive as it is reflective.
The exhibition “A Retrospective,” by Eleanor Antin, will be on view at the Mudam until 26 February 2026. Photo: Mudam/Delfino SL Studio
Eleanor Antin, “A Retrospective
With the Eleanor Antin’s “A Retrospective,” the Mudam offers a seasonal classic: a journey through more than 50 years of multidisciplinary practice. It’s rich, documented and impeccably staged, with no major surprises, but with the quiet strength of the museum’s flagship exhibitions. don’t miss the legendary 100 Boots in the Great Hall. This performative project questions the processes of dissemination within the art market by making his work widely accessible. The exhibition can be seen at the Mudam until 26 February 2026.
A Phantasmactic Screens, by Tiffany Sia, will be on view until 11 January 2026. Photo: Mudam/Mareike Tocha
Tiffany Sia, “Phantasmatic Screens”
With “Phantasmatic Screens,” the Mudam is spotlighting Tiffany Sia, a New York artist and filmmaker of Hong Kong origin, who recently won the Baloise Art Prize 2024. The exhibition brings together two video-sculptures that explore memory and exile through the notion of imaginary geography developed by Edward Said. Somewhere between an undulating curtain and a suspended rear-view mirror, Sia hijacks the projection media to transform her films into moving sculptures. These devices, both poetic and political, renew the way we look at and inhabit images. Sia’s works will be on show at the Mudam until 11 January 2026.
“A Comparative Dialogue Act,” by Andrea Mancini, will be on view at the Mudam until 1 er February 2026. Photo: Mudam/Delfino SL Studio
Andrea Mancini, “A Comparative Dialogue Act”
With “A Comparative Dialogue Act,” Andrea Mancini and the Every Island collective, who made their name at the Venice Biennale, make full use of the Mudam Pavilion. The immersive installation transforms the space into a vibrant sound environment: aluminium flooring, moving glass walls, heavy curtains and central lighting create a unique sensory experience. The work can be experienced on a continuous basis, with no need for performances to appreciate its power. Next dates: 6 and 7 November. On view until 1 February 2026.
This article in French.